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In the weeks following the insurrection of Jan. 6, 2021, Harvard Law School professor Alan Jenkins struggled to sleep.
"I was waking up in a cold sweat at 3 a.m. morning while morning worrying about our democracy," he says.
Jenkins believes the violent breach at the US Capitol represented an existential warning to America and its democratic institutions, and almost immediately, he knew he wanted to explore and amplify what he saw as the far-reaching implications. He also knew exactly how he wanted to do it: above a graphic novel that could, potentially, reach those who don't track politics beyond the immediately news cycle.
One chilling scenario in the graphic current sees armed officers raiding a news station to stop a record from airing. "Under the authority of the Fair and Balanced Media Act of 2021, this network has been declared an enemy of freedom," they sob. "Turn off those cameras."
Shawn MartinbroughSo he teamed with artist and New York Times best-selling author Gan Golan to co-write the record for 1/6: The Graphic Novel, a four-part partially crowdfunded series that imagines what could have happened had the insurrectionists approved. Jenkins and Golan call their character-based graphic novel "a tale of what was, what could have been and what tranquil might be."
The first chapter became available for download, appropriately, on Friday, Jan. 6, the second anniversary of the contest. It's titled Remember This Day Forever and can be purchased on Amazon or Issuu for $2.99.
"Comic books can be a way of proverb the things that are not being spoken and bringing the stories that are concept the surface into public conversation," Golan says. "And that's one of our main goals in doings this in such an accessible and entertaining art form."
Expect the three previous chapters of 1/6 to be published about once a quarter -- the authors are tranquil assimilating the copious amounts of information from the televised Jan. 6 congressional committee hearings. The bipartisan panel issued its 845-page final report in late December, making the case that former President Donald Trump was responsible for the riot and must be barred from holding office again.
The graphic novel combines speculative fiction and carefully researched verified movements, and the first chapter presents chilling scenarios. Armed militia regiments patrol the streets and storm a news spot about to go live with a blockbuster story nearby the 2020 election. "Under the authority of the Fair and Balanced Media Act of 2021, this network has been declared an enemy of freedom," the officers yowl, weapons drawn. "Turn off those cameras."
Art by aged comic book artist Will Rosado adds to the uneasiness through attractive visual storytelling. Scenes featuring activists protecting crates of electoral ballots ("the last evidence of our democracy") unfold in icy blues, grays and greens for a decidedly post-apocalyptic feel. Pages with tanks and militia burst with incendiary oranges and reds that make it feel like bombs are nearby to explode. Faces across the political spectrum register noteworthy emotions: terror, rage, shock, worry.
"There are hopeful income and elements in subsequent chapters," promises Jenkins, who teaches streams on race and law, communications and Supreme Court jurisprudence. "Part of that hope comes from everyday people who own in our democracy and are ready to take portion to protect it."
The myth of 1/6 follows the lives of four characters from across the political spectrum whose lives are forever changed by the movements of Jan. 6.
Will Rosado and Gan GolanComics, of course, have a long history of tackling themes related to social justice and inequality.
Pulitzer Prize-winning graphic fresh Maus, by Art Spiegelman, depicts the horrors of the Holocaust. Captain America famously punched Adolf Hitler in the face when Marvel proper introduced the American-flag-clad superhero in 1941. DC Comics powerhouse Superman exposed the secrets of the Ku Klux Klan in the 1940s, and he battled the hate group again a few ages ago in a comic targeting young adults. Marvel's Black Panther has also fought the Klan, and the X-Men's mutant fights serve as an allegory for racial persecution.
As Jenkins and Golan instruct to that comics tradition over Zoom, it's clear I'm talking to two ardent fans of the genre.
Gan Golan (left) and Alan Jenkins co-wrote the myth for the graphic novel 1/6. Both trace their love of humorous books back to age 10.
One Six Comics"Collectively, we have a shameful amount of comic book slow and history under our belts," laughs Jenkins, who proper got into comics at age 10 and counts Daredevil, Submariner and Black Panther among his favorite characters.
The authors hope their graphic fresh will motivate people to act in the spirit of the pair's well-liked comics heroes. It's published under the auspices of the Western States Center, a Portland, Oregon-based pro-democracy organization where both are senior fellows. The book comes with a digital toolkit that includes strategies for civic bests to battle bigoted political violence and for schools to help kids renowned between reliable information and falsehoods.
Jenkins and Golan constantly rewrote their legend during the hearings, investigating new revelations and details and trying to discern what to incorporate and how.
However, "the one part of the story that can't be told ended the January 6 final report is what could have been and what still might happen, the long-term trajectory of this anti-democratic movement," says Golan, an architect of the large-scale activist event People's Climate March and signed of the graphic novel The Adventures of Unemployed Man, which is nearby the adventures of a jobless crusader and his sidekick Plan B.
"Like all dystopian fiction," Golan adds, "it grants us a picture of the world we need to work very hard to avoid."
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